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As we all know, there really is no shortage of artists in the vast field of electronic music,
especially in the German capitol of Techno that is Berlin. They come and go with trends and
seasons, build their hypes, and eventually vanish into the social medial void our postmodern
times have created.

However, there are those ones which stand out, which stay stuck in the eyes and ears of the
public, which play and produce themselves in the collective memory of our community. Tham is
one of those. As resident and face of underground public favourites like SYNOID, Griessmuehle,
and Lebendig, in just a few years the young artist has proven that he’s one to stay, to watch and
to listen to.

Growing up on the dancefloors of Berlin – figuratively speaking – Tham’s artistic vision hails from
and is always directed back to that very place which represents the crux of the matter of our
entire subculture. His interpretation of Techno, his musical vision, lives on his drive to set people
in motion. Pounding bass drums, complex grooves, and aggressive synth lines lashing through
the crowd, taking their hypnotic effect. This is what Tham provides. Music ex machina, coming
out of nowhere, binding the eyes, ears, and bodies of his audience to the floor, to the very
present, sticking to their brains, billowing through their minds for hours, long after they’ve left
the club.